The iconic, closely clipped back and sides haircuts popularized by the gritty BBC drama Peaky Blinders may have left an indelible mark on fashion, but the show’s impact extends far beyond mere style. The series, deeply rooted in the industrial heartland of Birmingham and the wider West Midlands region, has played a pivotal role in the area securing official backing as a burgeoning center for high-end film and television productions. The British Film Commission (BFC) has officially designated the West Midlands as the United Kingdom’s eighth regional production hub for scripted inward investment, a significant accolade that underscores the area’s growing prominence in the global screen industries.
This prestigious designation, according to the BFC, is a direct acknowledgment of the region’s proven capacity and infrastructure to support large-scale productions. The West Midlands has already served as a vital production base for the critically acclaimed Peaky Blinders series itself, demonstrating its ability to accommodate the demands of period dramas and complex narratives. Furthermore, the region has hosted the feature film The Immortal Man, a project that further solidified its credentials. Most notably, it is currently the production home for an as-yet-untitled Peaky Blinders spin-off series, a testament to the enduring appeal and commercial viability of the franchise and the region’s capacity to nurture its expansion. The sustained involvement of such high-profile projects has evidently met the stringent criteria necessary to attain official hub status.
The West Midlands now joins an esteemed roster of established production hubs across the UK, each contributing to a robust national offering that significantly bolsters the UK economy. These officially recognized regions include South-West England (with Bristol as its anchor), North-West England (encompassing Manchester and Liverpool), Yorkshire (centered around Leeds), Northern Ireland (with Belfast as a key location), Scotland (drawing on the strengths of Glasgow and Edinburgh), Wales (with Cardiff at its forefront), and the perennial powerhouse of London & South-East England. Collectively, these hubs have been instrumental in the UK’s screen sector, which contributed a staggering £5.8 billion (approximately $7.8 billion USD) to the UK economy in 2025, highlighting the immense economic and cultural significance of these designated production zones.
Adrian Wootton, Chief Executive of the British Film Commission, drew a parallel between the strategic foresight of the fictional Tommy Shelby and the region’s development, stating, "As Tommy Shelby of the Peaky Blinders once said, ‘When you plan something well, there’s no need to rush.’ The growing success of the West Midlands as a UK production hub certainly bears this out. Over the course of nearly 15 years, the region has steadily grown in strength and stature, building skills, infrastructure, and reputation." This quote encapsulates the gradual yet determined evolution of the West Midlands from a nascent production location to a recognized industry player. Wootton further emphasized the comprehensive nature of the UK’s production landscape: "With the West Midlands becoming an official regional production hub, our offer to the global film and TV industry now spans the length and breadth of the U.K.: wherever you base your production, you’re within a stone’s throw of world-class facilities, crew, and talent, with access to one-of-a-kind locations and some of the world’s most stable, transparent, and generous tax incentives." This statement highlights the strategic advantage of a geographically diverse and well-supported UK production infrastructure, offering international producers unparalleled flexibility and access.
The ongoing expansion of the Peaky Blinders universe is intrinsically linked to the region’s burgeoning infrastructure. The two upcoming Peaky Blinders spin-off series are currently being filmed at the recently opened Digbeth Loc. Studios in Birmingham. This state-of-the-art facility was founded by Steven Knight, the visionary creator of Peaky Blinders and a native of the West Midlands. The establishment of Digbeth Loc. Studios represents a significant investment in the region’s creative capacity and a tangible commitment to fostering a sustainable film and television ecosystem.
Steven Knight expressed his delight at the region’s newfound status, stating, "I’m thrilled that the West Midlands has been recognised as a fantastic place to make film and TV. The opening of Digbeth Loc. Studios is an important part of that ambition, providing a home for world-class film and television production in the heart of Birmingham. We are at the beginning of a journey, and we’ve got off to a great start. The West Midlands is always ambitious, and we believe we will create a global content making industry in our neighbourhood." Knight’s vision extends beyond simply providing studio space; he envisions the West Midlands becoming a global hub for content creation, leveraging the region’s unique character, skilled workforce, and supportive environment. His ambition to cultivate a "global content making industry" signals a long-term commitment to the region’s creative future.
The recognition of the West Midlands as a production hub is further bolstered by broader strategic initiatives aimed at solidifying Birmingham’s position as a media center. In addition to the new hub status, the BBC has previously announced its plans to establish its future regional headquarters within The Tea Factory in Digbeth, a move that signals a significant commitment from a major public broadcaster to the area. This presence will likely attract further investment, talent, and ancillary businesses, creating a virtuous cycle of growth and development within the creative sector. The Tea Factory, a repurposed industrial building, exemplifies the region’s ability to blend its rich industrial heritage with modern creative ambitions.
The West Midlands’ journey to becoming a recognized production hub has been a culmination of several key factors. Firstly, the undeniable global success and cultural impact of Peaky Blinders itself served as a powerful showcase for the region’s potential. The show’s authentic portrayal of Birmingham and its surrounding areas, coupled with its international fanbase, generated significant interest in filming on location. Secondly, targeted investment in infrastructure, such as the development of Digbeth Loc. Studios, has provided the necessary facilities to attract and accommodate major productions. This proactive approach to building a robust production ecosystem has been crucial.
Thirdly, the availability of a skilled and adaptable workforce is a critical component. Over the past decade, the region has actively worked to cultivate talent in various aspects of filmmaking, from camera and lighting crews to post-production specialists and art department professionals. This commitment to skills development, supported by local educational institutions and industry training programs, ensures that productions have access to experienced professionals. The BFC’s endorsement further validates these efforts and provides a strong signal to international producers seeking reliable and capable partners.
Moreover, the UK’s attractive tax incentives for film and high-end television production play a significant role in drawing investment. These incentives, which are among the most competitive globally, reduce the financial risk for producers and make the UK a more appealing destination for large-scale projects. The BFC’s role in promoting these incentives and facilitating inward investment is paramount to the success of the regional hubs. The fact that the West Midlands is now part of this national network ensures that it benefits from and contributes to this broader economic strategy.
The designation also signifies a commitment to decentralizing production away from the traditional dominance of London. By nurturing and promoting regional hubs, the UK aims to distribute economic benefits more widely across the country, creating jobs and fostering creative industries in areas that may have historically been overlooked. This regional development strategy is crucial for ensuring a balanced and sustainable growth of the UK’s screen sector. The West Midlands’ inclusion as the eighth hub is a testament to its proven capabilities and its potential for continued expansion.
Looking ahead, the future appears bright for the West Midlands as a film and television production powerhouse. The ongoing success of the Peaky Blinders franchise, coupled with the establishment of new studio facilities and the strategic support from the British Film Commission, positions the region for sustained growth. The ambition expressed by Steven Knight to create a "global content making industry" is not merely aspirational; it is increasingly becoming a tangible reality. The West Midlands is poised to become a significant player on the international stage, attracting a diverse range of productions and further solidifying its reputation as a premier destination for filmmaking and television. The legacy of Peaky Blinders, it seems, has truly paved the way for a new era of creative and economic prosperity in the heart of England.

